Monday, May 11, 2026

Floyd Gottfredson May: Oscar the Ostrich

Would you believe that, despite the tagline, I haven't reviewed a Gottfredson story yet? Clearly, I have been delinquent in my duties and obligations! Since May is his birthday month, I am dedicating my time to reviewing the Fourth Volume of his astounding library published by Fantagraphics. 

*I will also fit in Mickey Mouse Versus the Mouseton Society of Evil. Unfortunately, the preorder address was my parents' home. When I ordered the volume last August, I assumed a different job location. The best laid plans of mice and bloggers. 

Volume Four is the most read in my collection. The binding is nearly faded away. Compare that to Volume 12, which looks barely touched. Gottfredson was at his storytelling best, churning out classic after classic serial, including my personal favorite, "Mickey Mouse Joins the Foreign Legion." When people ask me why Mickey is my favorite character, I point to this volume. 

All that praise leads me to my ironic lede. The first story, "Oscar the Ostrich" is my least favorite in the volume. I have never cared much for the animated-preferred scenario of Mickey versus mischievous and troublesome animal and the tale, coming right after the magnificent and high-staked "Pirate Submarine," pales in comparison. However, there are still amusing moments and Floyd's art brings a level of kinetic energy to the newspaper. 

Oscar the Ostrich

Lesson Learned: Jerkish animals are financially ruinous

Historically, this tale holds an important milestone as the first appearance of Goofy under his current moniker. The name Dippy Dawg has been retired and the Social Security card updated. However, some old vestiges of the strip remain. The tale begins with Mickey and Horace Horsecollar talking shop and the latter showing off his newly purchased and renovated secondhand automobile. 

                                                               I don't miss car payments!

Horace allows Mickey to borrow the car to take Minnie for a pleasant Sunday drive. The lovebirds use the opportunity to drop exposition about the "Pirate Submarine" when an ostrich hops into the backseat. The perils of open-air cars. 

Mickey explains how he only take chances with his stuff and not other peoples, bringing down the god of irony down upon his red shorts. Oscar eats the upholstery and the flower on Minnie's hat. Horace is understandably outraged and forces Mickey to keep the giant bird. 

Mickey heads to the local pet shop where Tony Dinero, taking a break from Lady and Tramp, lies and pretends he has never seen Oscar before. The Mouse decides to give Oscar away but the bird's jerk behavior and wanton destruction makes him impossible to give away. 

Goofy stops by to talk with Mickey and Oscar decides to risk his future in the strip to by hammering the Goof's head like a woodpecker. Goofy, displaying the masochistic behavior characterized on Goof Troop, keeps trying to make friends with the angry, flightless bird. 

                                                                    I call it self-defense

Mickey, becoming increasingly desperate to unload the most annoying feathered creation since Big Bird, LOCKS OSCAR IN A WOODEN CAGE and leaves him by the roadside! Mickey Mouse Clubhouse would be a thousand times better with this Mickey.  

Of course, it doesn't work as the thumbless bird breaks free and zooms by the car with a beep beep! The sheriff tracks Mickey down and tells him to appear in court because of property damages. The toxic relationship reflects on how Mickey hasn't become a core consultant for the police. At this point, Mickey and law aren't best pals. Of course, Mouseton law in the early years was one step above Somalia. 

The judge fines Mickey $264.13 or risk prison for five years. He has two weeks to raise the cash or risk becoming a cellmate's lover. He decides to use Oscar in a delivery service plan. See, once upon a time, grocery stores delivered to their customers. Then, the practice went away. Now, it has begun to return. There is nothing new under the sun!

                                                            This isn't how things worked in Marceline!

It starts off promising before the hungry and jerkish Oscar eats multiple and expensive groceries. Mickey decides to give up - seems out of character - and turns himself into the police. They make some gallows humor before throwing him out on the street. There, he discovers that a wacky animal race is taking place with a rich prize of $300. 

                                                                    The cops' joke is great!

Mickey hawks some items for the $10 entry fee (he was quite poor before opening the theme parks) and then the sheriff shows up. Mickey the fugitive takes off for the course and pays his entry fee. Contestants include Goofy with his horse and Donald Duck in a bathtub. 

The Duck floods the track with water but Mickey and Oscar trudge through the muck. Donald is hoisted by his own petard after getting stuck in the mud. 

                                                                      Would be great animated

Goofy knocks out Oscar with his special glove but the bird rejuvenates and remembers he bleeping hates the Goof. Anger leads to the Dark Side and second place as Oscar's pecking eliminates Goofy's vehicle and his already meager IQ. 

There is only one contestant left but he doesn't have a name, so Mickey obviously passes him for the win. Oscar eats the winner's flower arrangement because he is a menace. Mickey is about to win $300 when Tony Dinero barges in and says he owns the bird. Because winning has a thousand fathers and defeat is an orphan. 

                                                                        Restaurants aren't cheap

Mouseton law is Mouseton law and Dinero has the $300 dollars and laughs in the Mouse's face. He gives Mickey $25 as a mocking reward but our hero is smarter than a stereotype and rushes the Sheriff over. Mickey tricks Dinero into admitting he has always owned Oscar and the man's continuing ownership of an Italian restaurant for dog dating takes a hit. 

The scene cuts to Mickey and Minnie on a moonlight scroll. Mickey admits it is time for a good rest and once again the gods of irony strikes. A message attached to the door says Captain Churchmouse needs his help. Cliffhanger! 

Dramatic music!

Re-reading the serial for this review has grown my opinion. It is still my least favorite of the volume but the energy is great and there are some fun gags. The story forms a nice interlude between "Pirate Submarine" and "Foreign Legion."

Speaking of "Foreign Legion," it is my all-time favorite Mickey story! You won't want to miss that review!

One and an half ears up!

                                                      COMING SOON!


Tuesday, May 5, 2026

Happy 121st Birthday to Floyd Gottfredson!


Thank you for essentially creating and developing Disney Comics!

The debt of gratitude can never be repaid!

Check out my Ode to Floyd written in 2022 - time has passed but the sentiments never change!

Tuesday, April 7, 2026

Ripples in Time (Part II)

In my field of business, March is madness, but I survived the month and the latest edition of Mickey Mouse arrived in my mailbox. So, it is time for the review of the thrilling conclusion of Ripples in Time! 

Quick recap of Part I: the villainous Rhyming Man returned in another mad attempt for world domination. A series of vibrations have occurred, caused by interference with the timeline. Our heroes, Mickey Mouse, Goofy, and time traveler Uma, track down the Rhyming Man to a laboratory, who escapes via a time machine. 

No, that is not Minnie Mouse in a blonde wig

 Proving the adage that heroes react while villains act, the trio and the scientists discuss what to do next. Goofy apparently had no clue who the Rhyming Man was (Mickey never shared his stories and Goofy has never faced him?) and Mickey casually drops how he and Eega Beeva clashed with the foe. "World-famous villain? Yeah, I beat those by lunch."

Uma asked about him and Mickey is like, "Yeah, he is my other time traveling buddy. I am the everyman mouse with fantastical friends."

Next crossover should be Uma and Eega Beeva. 

The scientists ask how Uma is and she mentions her status and her assignment. Goofy inserts some delightful word play "verse-spoutin' vermin." Mickey questions them about how the villainous villanelle broke in. 

The scientists use a flashback to explain how the Rhyming Man broke in earlier after the trio left and blackmailed the duo. 

By the way, the i in the Rhyming Man's speech bubbles aren't capitalized because he is a fan of e.e. cummings. 

Does this mean Mickey and Goofy fought in the Crusades??? I know in one Italian story Mickey served under Robert E. Lee!

The physical evidence explains why he went around defacing books. Another reason why reading is more important than Netflix. Uma discovers he went to the year 2053 - the Browns finally win a Super Bowl that season - which is Uma's year. The scientists figure out that the disruptions are coming from his presence there. Mickey is all gung-ho to catch him - adrenaline junkie - but the scientists explain his traveling would only cause more trouble. 

Uma says she will go and catch him - no harm, no foul by returning to her time. The only catch? Her time is so advanced that a return window has become obscure. Mickey is still eager to go (nothing good on TV) but Uma denies his request on the reasonable grounds of continuum destruction. 



Mickey, remembering the script from The Amazing Lost Ocean, suggests using the scientists' hologram machine that allows people to virtually go to the future. How convenient. This is why I don't care for time travel stories. 

Uma likes the idea and heads back to the future before Goofy can return Chernov's disc. That will be an important plot point. Mickey dismisses his concern and asks him if he is ready for a peek at the world of tomorrow (I get that reference!)


Joe Torcivia, our clever dialogue man, drops another reference with Uma's world to come quote. Which works on two levels since the Rhyming Man starred in that adventure. I might have chortled with glee. 

Mickey is amazed by the futuristic world but frankly it looks the same as the city in Darkenblot. 


The city continues to quake due to the ripples and as long as the Rhyming Man stays in the future, events will only continue to worsen. 

                                                          I love how future clothes are always so tacky. 

"Bad vibes give me worse vibes" is a lame line that crosses over into being hilarious. 

The Rhyming Man heads to a library to collect additional information and checks out. He discovers that inflation (are we sure this isn't set in the present?) has accelerated to unprecedented levels and the bill comes to $45,000.16. Interestingly, the future still takes cash! 

Two things: 1. I like how an unexpected thing like incredible cost trips up a devious plan. 2. Why is a library charging to checkout? Did something get lost in translation?

Like a true villain, he decides to shoplift, grabs one CD, and darts for the exit. He races out the door and runs into the trio. A massive ripple arrives, allowing him to slip away. 


They decide to lay a trap, like a fly with honey. The word triggers Uma's memory about the H.O.N.E.Y. (Hypertechno-Logical Omnidisc Numerically Encoded By Year). Of course, that disk was the one she dropped back in 2026. But no worries, she has a plan.

The Rhyming Man rants about how the disc he stole only covers ships and fish. His mood might explain why he falls for the trio's most transparent trap in recorded history. They brag about having an important disc and Mr. Poet falls for it. Uma grabs him and returns to 2026. 


They subdue the Rhyming Man until Goofy, once again proving loose lips sink ships, opens his gawrsh-dang mouth and mentions the omnidisc. The Rhyming Man gains a second wind and breaks free. The trio chases him across some gorgeous twilight artwork. They head to the Williamsbird Bridge - because Spiderman homages are great for brand synergy. 

(Thoughts on the new Spiderman trailer?)


Uma pulls out how zapping gun which creates amnesia - you know if it shot real bullets the struggle is over. She tells him to forget the future and how to rhyme (that is a war crime, Uma) for a week. Which means, the Rhyming Man talks normally! 

I would have enjoyed this twist even more had the Crosstalk update on the inner cover not spoiled it. 

Despite his lack of rhymes, he is still a physical threat (if not as fun), and rushes at the heroes. He plunges over the side, quoting "I appear to be doomed" and falls into the water. Because if a story features the Rhyming Man, he must plunge into the murky depths - it is the law. 

They wonder if he will ever come back - and Mickey knowing how these things work - says yes. 

Artistic homage to the World to Come

Uma immediately dips out, forcing Mickey to recount the story to the scientists. Dr. Marlin says he knows why she left early and says he will remember your adventure. The scene cuts to the future where Uma reports back to her superiors. 


The head scientist reveals himself as knowing how everything would proceed since Mickey and Goofy told him everything in 2026, thus the disc was actually a bunch of 1940s cartoons. What a twist!


Ripples in Time works well enough as a fun story to attract readers. The interplay between the trio carries the story. The Rhyming Man doesn't really do as much as in his previous jaunts and the final twist, if I am reading it correctly, suggests that the outcome was predestined, so even if he obtained the disc, it only contained cartoons. That is not much better than "it is just a dream" trope.

Torcivia's scripting once again does a great job of enhancing the plot. I assume the references to other stories are his own. It is a nice touch that adds to the richness of Mickey Mouse's comic universe. 

I can't wait for the next issue. But until then, the Mickey Mouse Versus the Mouseton Society of Evil releases this month. I already preordered. I suggest you follow in my footsteps! 

One and an half ears up!


 










Tuesday, February 17, 2026

Mickey Mouse Comics Starter Pack

"Hey there, hi there, ho there! You are as welcome as can be!"

If you are reading this, you are likely expressing interest in Mickey Mouse comics, but have no idea where to begin. Or maybe you want a refresher or aren't sure which books are the best starting point for spending your cheddar. Don't feel like a novice, we all begin somewhere. 

After all, the Mickey Mouse newspaper strip started back in 1930 and the monthly issue was launched in 1952. This is a long-runner and that time period is merely considering American publications! This article will cover English publications. Unfortunately, I cannot read Italian yet and have no experience with the foreign markets. 

Floyd Gottfredson Library

Floyd Gottfredson is Mickey's second father. He developed the comic Mickey which entertained and thrilled millions of readers. Every Mickey story has a touch of his DNA running through its pages. He originally was only suppose to substitute on the strip for two weeks. Instead, he spent nearly 45 years drawing and plotting, and became a Disney Legend. Without Floyd, this article, and arguably Disney comics, do not exist in their present form. 

Volume 3&4 Box Set 

Essential reading for anyone looking to dive into the Mickey Mouse comic world. The set contains of the most best Mickey portrayals in fiction: Bat Bandit, Editor-In-Grief, Race for Riches, The Pirate Submarine, Joins the Foreign Legion, The Seven Ghosts, Island in the Sky, and Monarch of Medioka. An embarrassment of treasure. If you think Mickey Mouse is a bland, colorless corporate logo, and incapable of actual character, these two volumes will immediately change your mind. Discover a heroic underdog, a tenacious mouse fighting back against a world much bigger than him. 

Volume 5&6 Box Set

The quality isn't as consistent as the previous box set, but the most important and arguably best story in the canon, Mickey Mouse Outwits the Phantom Blot resides between its covers. But there are plenty of other engaging tales, Mighty Whale Hunter, The Plumber's Helper, Bar-None Ranch, Bellhop Detective, Love Trouble, Supersalesman, Hidden River, and The Gleam.

Mickey Mouse: The Greatest Adventures

A special one-off (unfortunately, volume two appears to be but a dream) of Technicolored Gottfredson adventures. The first Mickey serial, Death Valley headlines, but the colored versions of Island in the Sky and The Gleam are worth the expenses. Read Bill Walsh's two best stories in the Mickey's Dangerous Double - introducing Mickey's doppelganger Miklos, and The Atombrella and the Rhyming Man - starring the verse-chanting Rhyming Man.

Casty

Andrea "Casty" Castellan is the most notable modern Mickey writer going. An Italian master, his work has translated brilliantly with American audiences. He has been noted for creating dynamic new female characters while refreshing Mickey's personality and rescuing him from moldy, rote detective plots. 

Timeless Tales III

The final hardcover in the regrettably, shortened IDW run, Timeless Tales III collects issues #13-21. The headliner story, Darkenblot, begs for an animated adaptation. The story seamlessly ties together a futuristic setting with timeless Mickey themes of detective work and not being taken seriously by authority. Featuring the return of an old foe, the future is now! Mickey faces off against a new villain in The Magnificent Doublejoke and hunts for Napoleon's buttons. 

Disney Masters: Trapped in the Shadow Dimension

The Disney Masters series offers a sampler pack of a Disney artist or writer. Casty's volume features the title story but more importantly it contains the ideal translation of The World to Come. I read the first English translation after I finished the Gottfredson Library. The second translation is even better. Sharing similarities with the underrated movie Sky Captain and the World of Tomorrow, World to Come confronts the balance between environmentalism and science progress and how easily the latter can be hijacked by well-meaning and evil forces. 

Romano Scarpa 

Scarpa, an Italian creator, literally picked up in the 1950s where Gottfredson left off. When the syndicate turned the Mickey Mouse comic strip from serials to a gag-a-day, Scarpa started writing his own epic. Italian audiences, enthralled, assumed they were new Gottfredson. Decades later, Scarpa's stories still delight. His Mickey is more mature but remains driven for justice and adventure. 

Disney Masters: The Man from Altacraz

The title story is a fun yarn, but the highlight in this volume is Kali's Nail. A brilliant homage to Outwits the Phantom Blot, Mickey deals with a foe that forecasts Scooby Doo villains, and struggles to undercome a complexing mystery. 

Paul Murry

Murry's online reputation isn't as positive as the other creators. Despite his writing resume only consisting of one page gags, he shoulders the blame for why the American Mickey turns formulaic and staid in the 1950s and 1960s serials. However, his Disney Master volumes have been the series' tentpoles. He has a dedicated fan base and the reason isn't mysterious. His art work is polished and comforting. The Mickey & Goofy as detective partners formula is like grandmother's mashes potatoes; similar but delicious. 

Disney Masters: The Monster of Sawtooth Mountain

This is the best collection of his Disney Masters volumes. The stories are brisk, entertaining, and Mickey even displays some uncharacteristic behavior different from his stock personality in this era. Murry's stuff isn't solely carried by nostalgia. 

Miscellaneous 

Mickey Mouse: The 90th Anniversary Collection

2018 was somehow eight years ago but this assortment of tales has aged perfectly. Covering Gottfredson to Casty, Mickey's entire life is chronicled. 

Mouse Tails 

Another smorgasbord of creators, this collection has Carl Barks' Mickey tale (he was a better Ducks dude than Mouse man), and a great story by Ken Hultgren - a talented writer with a curriculum vitae much too short. 


Any suggestions? Feel free to add them in the comments below!


Sunday, February 1, 2026

Stickers

You just never know when Disney comics will make an unexpected appearance among the vast sea of Disneyana material. I recently discovered a book of Disney stickers at a bargain outlet and flipped through the pages. To my great delight, inside the pages were several stickers from Gottfredson's Mickey Mouse comic strip! 

Now, only if the Disney Store will sell some more merchandise! 



The stickers, from memory, appear to draw from "Death Valley," "The Crazy Crime Wave," "The Boxing Champion," "Jungle Treasure," and "Editor-in-Grief."

If any Mousekeeter recognizes more strips, comment below! 

I would love to know what fan(s) in publishing gave us this treasure. 

P.S.: I recently saw another Disney sticker book in Walmart. It had more Mickey comic material but $27 was too high to justify the purchase for ten stickers.  

Thursday, January 29, 2026

Ripples in Time (Part I)

Well, it has been a fun week - I use that term loosely. My primary computer's screen turned an ugly shade of fuchsia and pistachio leaving me to write this (delayed) review on a backup laptop. But, like Mickey Mouse in the Foreign Legion, I soldier on! 

Fantagraphics' second Mickey Mouse issue was recently released and its main story, Ripples in Time (Part I), features the Rhyming Man (yay!) as the main villain and time travel (eh) as the setting*. Joe Torcivia returns as the translator and dialogue man. Francesco Vacca wrote the story and Marco Mazzarello provided the artwork. The tale was originally published in Italy (shocker, with those names, I would have guessed Iceland!) in 2022 - so it is a fairly new tale. 

Vacca is a recently chronicler of Disney comics and this joint is his first American printing as well as his first time handling the Mouse. Are we seeing a new burgeoning new master of verse or witnessing some narrative doggerel? Let's find out! In Rhyme!

"The story starts not in Mouseton but where the Pharaohs play,

On the banks of the Nile down Egypt's way

First, we see a Pharaoh with a sense of humor

Causing all his advisors to rumor

How his joy in rigging buckets of honey

Is humorously right on the money!"


You see Minnie Mouse, too, right?

"When, suddenly who should appear in the air

But Minnie Mouse wearing a wig of blonde hair!*

Actually, no dear readers, this is Uma,

Who travels through time like a puma,

In search of history research, 

Watching events from a perch,

She receives an assignment from the head of T.O.O.T

And heads out in route"

I like villains who narrate out loud

"The scene then shifts to our rhyming villain,

Who sits in a library chilling, 

Over a specific book 

Of which he takes a nasty look

And carve out its pages in a literary killing."

Interesting how Vacca used Pete as a disposable villain

"We see our hero Mickey Mouse

Capture Peg-Leg Pete, that awful louse

With a flying tackle so apt 

He treated Pete like an opposing quarterback,

As he continues to enjoy his life

Mickey has a sense of growing strife

He fears he is being spied upon,

And the strange vibrations keep going on"

Gotta love how Mickey takes everything in stride. "End of the world? To the tunnels!"

"The Rhyming Man continue to narrate 

And his rhymes, while simple, are first rate!

Uma appears to Mickey and Goofy to explain the situation

Of course, the entire scenario causes quite the sensation!

She warns about the impending trigger event

Which our heroes must circumvent,

Least, the world to come

Should end up undone!"

"They navigate through Mouseton's ancient tunnels

Its twisting ways serve like a funnel

To where captured scientists are tied up with rope

Mickey, Goofy, and Uma are their last hope!

Mickey rushes at the Rhyming Man

Who continue his verse on command

He heads into the time machine

And quickly flees the scene."

2053: the year the Raiders finally win the Super Bowl!

"The scientists discover he has headed to the future

To rip apart the timestream like a torn suture 

What will heroes do?

Find out in March with part two!"

End verse

Not too much action happened in this installment but the pieces have been laid out nicely. Uma is a spunky character and slots nicely with Mickey and Goofy without overshadowing them, as Eurasia Toft (who I greatly like) occasionally does. The Rhyming Man always livens up the party with his witty verse and Torcivia does a great handling the rhymes. The villain's opening rhyme call backs to his first-ever couplet in "Atombrella and the Rhyming Man." The art is manageable. Mazzarello's portrayal of sweat weirds me out. 

And Joe, I saw the Murry Street inclusion!

The bimonthly calendar does sting when dealing with two part stories. I'm not a patient reader!

Floyd Gottfredson May: Oscar the Ostrich

Would you believe that, despite the tagline, I haven't reviewed a Gottfredson story yet? Clearly, I have been delinquent in my duties an...